Monday, May 21, 2012

America's Next Top Model: British Invasion (Cycle 18) - 18x11 "Jez Smith"

We all knew it was coming, but the magnetism of Annaliese's personality is so heady (and her excitement during the go-sees so infectious) that on the night that this episode aired, it roused me against the plodding quotidian that ANTM has become and gave me hope that we'd be granted the subversive whimsy of two Brit finalists for America's Next Top Model. But instead of a living phantasmagoria of teas and crumpets and the two most charismatic characters of the cycle, the humdrum cynicism that has become ANTM's normal again reasserted itself, where its brand of rationalism -- which, as our better senses could've told us -- dictates that an American must, by hook or by crook, participate in the cycle finale; and here we are, represented by Laura, who books half of her go-sees (the fewest among her competitors), and who struggles still with her walk, which, you know, might be an issue in the final runway. Just saying.

So Annaliese quietly became my favorite of the cycle, though probably more because of her easy, breezy (~sigh~) video recaps than because of how the show features her. By and large, the editors have chosen Sophie as our go-to talking head when a light quip is called for; if the internet is anything to go by (bear with me here), her style of eyelash-batting, über-girly frothiness justifies the amount of attention given to her, but between her and the time ANTM takes nowadays to foreground Tyra's interest in social engineering*, the editors have to leave out what I imagine to be Annaliese's choicest bons mots, to their discredit.

Additionally, Annaliese is more right than she admits when she says that Laura's over-the-top sexuality doesn't mesh well with the Top Model brand; in fact Annaliese's garrulousness is exactly the sort of quality that would've made her an exceptional ambassador for the show. (Sophie, as well.)

When Tyra calls Jez and Nigel her twins, you had to expect her running these calculations in her newly Harvard-minted business tycoon's mind:


You know how Tyra says in this episode that the winner of the cycle "will be the new face of America's Next Top Model's fragrance, Dream Come True"? Because clearly, this (which is still the funniest thing of the cycle) is not cutting it.



Seeing "Fire" Kelly Cutrone handing out money gave me the best idea I've had in ages** -- ANTM fandom, as diminished as we are, should pool together cash to give to "Fire" Kelly Cutrone to make her leave the show, which, I wouldn't be surprised, might well be all part of the plans of this "PR legend."


* Tyra's social engineering jones is especially prevalent in this and the previous cycle, both of which kept promoting certain girls -- Alisha and Angelea -- whose fitful performances landed them in the bottom as often as not but whose reprieves were motivated by their combination of hard-scrabble backgrounds and perceived modeling potential, a set of circumstances that Tyra sees as an opportunity to play queenmaker, i.e. Oprah. 

** Incidentally, wtf @ her for counting out the bills in French. It's like, beyond her vapid snark and flaccid insults, she's trying doubly hard to make everyone miss André Leon Talley. WELL IT'S WORKING, YOU AWFUL HARRIDAN.

3 comments:

Ana said...

Annaliese :'( .

At the start I was ready to demand they make Sophie's World, but then Annaliese became more and more prominent and just charmed me.

Until the very end I had hoped that she wouldn't be the one leaving, that she would be saved because two left last week... Now I can hope that she'll be Tyra-resurrected next week. A girl can dream, no?

But what an exit.

* * *

First Clement, then Nicholas, and now *swoons* Jez (who also seems like a genuinely pleasant guy). This season is good to me.

* * *

Did you make the 'Mah dragons! Wehre are dey?' gif?
I laughed for five minutes :D .

Ana said...

Oh, and Laura kinda grew on me, too.

Not in a 'love her <3 !!!' way, but like 'she's a person with her own sets of this and that'. Plus, her photos do rock.

The sob story edit is so ubiquitous that it has a reverse effect on me, even the first time a sob story is shown... not to mention the hundredth time in a row.
(And I don't like being desensitized - there are real people behind those stories :| .)

Leee said...

The sob story edit is so ubiquitous that it has a reverse effect on me, even the first time a sob story is shown... not to mention the hundredth time in a row.
(And I don't like being desensitized - there are real people behind those stories :| .)


Good point. I think it shows the problems when you use real-life difficulties (and even tragedies) as a tool mainly for commercialized storytelling purposes: we as viewer/consumers eventually get tired of it and want the new thing (this is a VERY cynical way to look at it, of course). Human life gets lost in the transaction.

Did you make the 'Mah dragons! Wehre are dey?' gif?

Yep, blame me for that one.